Muscle and joint pain? World War II is one of the few wars in history that, looking back, is left as morally unequivocal: aggressive and
Muscle and joint pain?
World War II is one of the few wars in history that, in retrospect, is left as morally unequivocal: the aggressive and deadly Nazi Germany had nedkjempes and was defeated. Even if the soldiers and commander-in-chief on both sides made decisions that were later condemned, the judgment of history is that the good side won and the evil side lost. the
This makes this particular war particularly fertile ground for filmmakers, as they can use the story and clear iconography to make films in any genre. Of course, a number of dramatic films and TV series were filmed about the war, in all the countries that were affected by it, dramas about commanders, soldiers and civilians, Hitler and Churchill, as well as unknown or fictional men and women.
But there are also comedies, grøssers, splatters and counterfactual stories from World War II — for example, “The Dictator,” “‘Allo ‘Allo,” “Dead Snow,” “Inglourious Basterds” and “The Plot Against America.” It’s possible because it’s still something easy and enjoyable for the audience to go back to World War II in a way that you can’t with other wars. It’s possible to sit back and root for those we know to be heroes. That’s how it opens up this war and gives you I say uncomplicated heltequad.
Compared to the Second World War was the First World War, the massacre led by uvettige generals, and the Vietnam War and the war in Iraq catastrophic infections in other countries. Then don’t sit there, heltehistorian, as if it’s settled.
With that in mind, it’s amazing how Norwegian films and TV series over the last ten years have consistently told one type of WWII story, namely Heltekvaden. They talk about the resistance movement and heroism, about specific and often action-oriented confrontations with the German occupation. The main characters may have their own struggles, but they all work as one against the Germans, and therefore who the audience knows is the right one. the
It can be said that this is a trend that started with “Max Manus” in 2008, and continued with the large-production “The King’s no” (2015), “The Battle for heavy water” (2015), “The 12th man ” (2017). ) and “the Spy” (2019), and pointing ahead to the upcoming “Battle for Narvik”, which began shooting when work was halted due to the corona crisis. the
It is also worth noting that five of these six productions have male protagonists, and the protagonists in four of these five are young men. Also two smaller krigsfilms from these years, the feelgood drama “Into the White” from 2012 and the grøsseren “House” from 2016 have young soldiers in the main roles.
The men who risked life and limb to fight the Nazis deserve to be able to tell their stories. The films are neither better nor worse for acting on male resistance: those mentioned above vary greatly in quality, from the solid “King no” to the weak, “The 12th man”.
Include user LydErrorAllerede plus? Log into herError NARVIK AT WAR: “Battlefield V” is finally out, and one of the biggest additions to the game is Norway and the Battle of Narvik during the war. Dagbladet Bet Bianca checked how the battle looks in the game version. Want to see more about the newspaper game? https://goo.gl/L6b1YP Follow us on Instagram: https://www.instagram.com/dagbladetsp… See more here: htt… Show more
But Norwegian moviegoers get an extremely narrow view of the experiences of the war years. The occupation was a devastating experience for all kinds of Norwegians, men and women, young and old. For the Jewish population, which was persecuted and decimated, it was an unprecedented trauma. Different people judged differently how they should treat the occupying forces, from strong opposition to active cooperation. It is not fortunate that those who create feature films for adults are so disinterested in these experiences.
This set in the relief of the Danish war drama “The Cursed Year”, which is currently showing in the newly opened Norwegian cinemas. The film is about an industrialist, played by Jesper Christensen, who does not like the Nazis, but who is gradually drawn into cooperation with German industry. The “cursed years” have their weaknesses. the
But it dawned on me that this is the kind of story I’m not sure Norwegian film producers would be interested in telling. Now, there is no very similar history in this country, because the situation was complicated by the fact that the king and government were in the country to which the Norwegian fled. But there are many stories from the Norwegian occupation, about civilians with variable motives and mixed emotions, and it’s a shame they don’t exist on film.
One of the challenges is that it is so clear that heltehistorians are easier to sell. There is a political expectation that Norsk film should take a significant share of ticket sales in Norwegian cinemas, and films such as “Max Manus” and “The 12th Man” make the job much easier. But it’s worth asking what we as an audience are missing.
It’s not just the “Battle of Narvik” that stands on the steps. He also made Gunnar Vikenes’ film about the krigsseiler of Bergen and the film adaptation of Marta Michelets’ book about jødeforfølgelsen in Norway, “The Greatest Crime”. Together they create a picture of war that is somewhat more colorful. But again there are many white spots.
the signature that determined the fate of Norway
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Categories: Optical Illusion
Source: newstars.edu.vn