Deprived of their libraries, the French are turning books into the cloud, which they have so far despised. More than 100%, over 200%! Day after day from th
Deprived of their libraries, the French are turning books into the cloud, which they have so far despised.
More than 100%, over 200%! Day after day since entering the closed spaces, advertisements, “triumphant” on all sales platforms – placeeslibraires.fr, Youboox, ePagine, Fnac, Amazon, etc. – abound, while libraries are subject to loan requests… In the absence of the possibility of simple acquisition of physical books (Amazon, moreover, prohibits their sale in France), drives are returning to books in digital format. For the first time in the history of publishing in a country where in 2018 less than 5% of French people bought a digital book. And an opportunity to further explore this new market.
It became a kind of ardent obligation of the publisher. For the last ten years, over one pound or almost, which would be published in digital format – a precious practice, of which the production cost is almost anecdotal (from 150 to 300 euros per book), to which you will add a reduced VAT rate of up to 5.5%, from 20 to 25 % commission depending on the platform and considerable savings due to lack of preparation. The new prices so far (similar everywhere, unique book prices) are not negligible: 15.99 euros for the best-selling book The mirror of our sorrows, by Pierre Lemaitre, against 22.90 euros for the paper; €14.99 for Leïle Slimani’s The Countries Other, compared to €20, or €12.99 for Vanessa Springore’s The Consent, compared to €18. Or, in short, a lower price of around 30% compared to the paper format. A fixed amount, as one can imagine, so as not to penalize booksellers too much and to protect the income of authors and publishers… Everything changes, but when the title appears to be a paperback: then there is a significant reduction in the price of the digital book , to a level roughly equal to pocket money.
many free e-books
It’s that, on the field, we often play yo-yo. “One of the pillars of e-commerce is promotion and animation,” says Eric Marbeau, director of digital broadcasting for the Madrigall group (Gallimard, Flammarion, Casterman, etc.). We need, for example, to triple the number of titles available at low prices, for a few weeks.” All the scramble these days in this pricing policy is broken: XO, for example, “beards” at 4.99 euros several of its novels authors, headlights, Bernard Minier, Mireille Calmel, Christian Jacq… All as a practice for envi free many e-books (classics, new editions or unpublished, like the famous crisis “Tracts” Gallimard).Policy intended to introduce readers to books to the cloud.What, also , explains part of the current craze… the comfort of reading texts is also needed (download, with a “simple” click on a computer, smartphone, tablet, or ereader), or by appointment. According to users, it is precisely the ereader, with an anti-glare screen , the best support.The only problem: Amazon Kindles are not available on e-readers from competing manufacturers, while Fnac by Kobo books are available on any ereader except Amazon’s…
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Sustainable madness?
It is still the case that new followers are flocking to books, young adult books, romance novels, manga and crime fiction, with authors such as Alexander Galen, Jorn Lier Horst, Lisa Gardner, Camilla Grebe, Michel Bussi, Michael Connelly… and which emerge from the limbo of “old stuff” such as the New CIA Report, published in 2009. Explanation by Cécile Boyer-Runge, protector of Robert Laffon: “I was informed that this text was a predictive turn of the twittosphère. Problem, the e-book did not exist. The book was reprinted and scanned at any speed, plus a novel with a foreword by Alexander Adler. Suddenly, he shoots.” On the Madrigal side, Eric Marbeau points to the success of The Plague, Albert Camus, The Other Country, Leïla Slimani, let’s say at the end, Agnès Ledig, or even Jean Giono’s Rider on the Roof.
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Will this madness suddenly survive – until the libraries reopen? I’m not sure, say environmental observers. “This growth is largely due to reader ‘paper,'” said literary agent Denis Bourgeois, so it is likely to taper off to a 5% level with perhaps a small additional delta. On the other hand, audio books, which also have added interest, could take advantage of this. At least that’s what Valérie Lévy-Soussan, president and CEO of Audiolib (Hachette), hopes, whose sales, including Sapiens, Harari and The Diary of Anne Frank, have taken off. appreciate this practice, which allows you to listen to the book, away from the screen, but still polished by the example.” The benefits of keeping…
Updated date: May 21, 2020, 8:58 p.m
Categories: Optical Illusion
Source: newstars.edu.vn